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	<title>Oakland Writer, Poet and Editor Paul Corman-Roberts Blog &#187; Publishing</title>
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		<title>Zeitgeist Press Feature in San Francisco</title>
		<link>http://paulcormanroberts.com/2008/02/02/zeitgeist-press-feature-in-san-francisco/</link>
		<comments>http://paulcormanroberts.com/2008/02/02/zeitgeist-press-feature-in-san-francisco/#comments</comments>
		<pubDate>Sun, 03 Feb 2008 01:49:18 +0000</pubDate>
		<dc:creator>Paul Corman-Roberts</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Publishing]]></category>
		<category><![CDATA[Spoken Word]]></category>

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		<description><![CDATA[Bruce Issacson and MK Chavez could teach slam poets a thing or two about content.  
Issacson is the main man at Zeitgeist Press, the legendary indie that has published Julia Vinograd, David Lerner, MK Chavez and a host of other legends (Danielle Willis, Joie Cook.)
Last night at the Poetry and Pizza series at Escape [...]]]></description>
			<content:encoded><![CDATA[<p>Bruce Issacson and MK Chavez could teach slam poets a thing or two about content.  </p>
<p>Issacson is the main man at Zeitgeist Press, the legendary indie that has published Julia Vinograd, David Lerner, MK Chavez and a host of other legends (Danielle Willis, Joie Cook.)</p>
<p>Last night at the Poetry and Pizza series at Escape From New York (in San Francisco of course.)   Chavez (nee: Maria Kaylib)read from her new book &#8220;Virgin Eyes&#8221; along with a host of newly written poems, and the good Mr. Isaacson read from his new tome, &#8220;Dumbstruck At The Lights,&#8221; perhaps indicative of his residence in the forever neon oasis/hell known as Las Vegas. </p>
<p>Issacson has a way of making poems about his father and his son sound edgy, while a passion about Rimbaud gives the old commune peripheral scalawag a &#8220;holy&#8221; sort of feel.  Like a slam poet, he keeps his notes firmly in hand without ever really looking at them, subtly displaying his comfort and familiarity with his own material, but unlike a slam poet, not spending a lot of his alloted performance time trying to prove his cred or his mad skills or his alienated uniqueness&#8230;truth is, he&#8217;s just too grown up for all that.  And it&#8217;s entertaining as hell to hear in poesy.</p>
<p>Chavez is too grown up for the young slammers too, not in terms of content but in terms of emotional maturity:</p>
<p><em>I’m in bed with the wrong man.</p>
<p>The room is painted</p>
<p>an ugly color</p>
<p>we both agree</p>
<p>on that. I shouldn’t complain</p>
<p>beggars can’t be choosy, I beg</p>
<p>him to stay. He leaves, I stay</p>
<p>he comes back and we’re there</p>
<p>again, between white sheets, as if</p>
<p>we are clean, and he tries</p>
<p>to find a way to make me see</p>
<p>things differently. He calls the color</p>
<p>mauve. It sounds better</p>
<p>for a moment. We have to face</p>
<p>facts; the pink carnation colored room</p>
<p>is putrid. I tell him that we can’t</p>
<p>do what we’re doing, he agrees</p>
<p>and pulls me closer and it’s wrong</p>
<p>but it’s so human.</em></p>
<p>The poetry &#038; pizza series at Escape from New York is a seriously hot SF reading, and always packs a full house which is an impressive accomplishment on a Friday Night in the Financial District for an establishment that is not a bar.  Good on them for featuring two heavy hitting Zeitgeist poets last night.</p>
<p>Links:</p>
<p></a>http://littlebrownsparrow.com/</p>
<p></a>http://www.zeitgeist-press.com/</p>
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